Sound is profoundly important to a success of a nightclub. As opposed to the popular belief the quality of Loudspeaker is just one factor, although an important one, in what it takes for a club to sound excellent. Other aspects being the acoustics of the venue, amplifier, management systems, speaker placement, external noises, venue capacity, etc. This article takes you through sound systems Orlando design.
There is nothing worth the experience of a good music. Duke Ellington once said, "There are two types of music, good and bad. If you like it, it's good music." However, there are some factors that determine the validity and suitability of the system. The first consideration before building a bicycle sound system is to ask yourself exactly what is it for? Now this may sound like a stupid question but consider:
Is the music for your own enjoyment, other cyclists riding with you, or members of the public watching? Will you be riding the bike whilst the music is playing? (Probably answered in the first question) Would you like to play just your own music or have facilities, i. E. Mixing desk, microphones, to make the system more flexible? Would you wish to hire out the system at festivals and other events? Where would the system be stored when not in use? How would you get the system to the events?
How the music interacts with the enclosed space of your venue? Which material inside the venue is acoustically opaque or transparent and how does it affect the low, mid and high frequencies? Is your venue suppressing some frequencies? How will the acoustic material used inside the venue age with time and how it will affect music?
The volume of the system is probably the key to everything. The amount of power needed outside is far, far more than is needed inside; most of the sound from speakers inside a building is actually reflected sound. Take the walls away and the volume drops massively.
An individual has the less common option to purchase the system speaker units as separate components or as is more commonly done... A complete package. For those not versed in home theater technology the package deal is convenient and installation/setup is simple. The price ranges in quality and with each manufacturer.
How will the music in the venue change over time as the speaker age over time and what needs to be done to take care of it? Is your system safe from a novice handling it? Are enough protection measures provided so that the system does not blow-off if someone accidentally pulls of a lead from a speaker or amplifier or presses a wrong button? Who is authorized to touch systems for repairs and what service level is your AV Integrator providing?
Critically the amplifier must not be overdriven. This usually happens when the output of the amplifier is not enough for the situation. Everything is turned to max to compensate and there is distortion. We have all heard it, in cars, clueless DJ's, PA systems... The crazy thing is that turning it down just a bit will reduce the volume very slightly but everything can now be heard properly without distortion.
There is nothing worth the experience of a good music. Duke Ellington once said, "There are two types of music, good and bad. If you like it, it's good music." However, there are some factors that determine the validity and suitability of the system. The first consideration before building a bicycle sound system is to ask yourself exactly what is it for? Now this may sound like a stupid question but consider:
Is the music for your own enjoyment, other cyclists riding with you, or members of the public watching? Will you be riding the bike whilst the music is playing? (Probably answered in the first question) Would you like to play just your own music or have facilities, i. E. Mixing desk, microphones, to make the system more flexible? Would you wish to hire out the system at festivals and other events? Where would the system be stored when not in use? How would you get the system to the events?
How the music interacts with the enclosed space of your venue? Which material inside the venue is acoustically opaque or transparent and how does it affect the low, mid and high frequencies? Is your venue suppressing some frequencies? How will the acoustic material used inside the venue age with time and how it will affect music?
The volume of the system is probably the key to everything. The amount of power needed outside is far, far more than is needed inside; most of the sound from speakers inside a building is actually reflected sound. Take the walls away and the volume drops massively.
An individual has the less common option to purchase the system speaker units as separate components or as is more commonly done... A complete package. For those not versed in home theater technology the package deal is convenient and installation/setup is simple. The price ranges in quality and with each manufacturer.
How will the music in the venue change over time as the speaker age over time and what needs to be done to take care of it? Is your system safe from a novice handling it? Are enough protection measures provided so that the system does not blow-off if someone accidentally pulls of a lead from a speaker or amplifier or presses a wrong button? Who is authorized to touch systems for repairs and what service level is your AV Integrator providing?
Critically the amplifier must not be overdriven. This usually happens when the output of the amplifier is not enough for the situation. Everything is turned to max to compensate and there is distortion. We have all heard it, in cars, clueless DJ's, PA systems... The crazy thing is that turning it down just a bit will reduce the volume very slightly but everything can now be heard properly without distortion.
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